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	<title>Nature and Landscapes &#8211; ELPEDIA</title>
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	<description>Encyclopedia of Byzantine &#38; Western Art</description>
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		<title>Albrecht Adam: The Return from the Hunt</title>
		<link>https://www.elpedia.gr/albrecht-adam-the-return-from-the-hunt/</link>
		
		<dc:creator><![CDATA[T. M. Pafilis]]></dc:creator>
		<pubDate>Tue, 18 Aug 2026 10:38:49 +0000</pubDate>
				<category><![CDATA[Figurative Art]]></category>
		<category><![CDATA[Nature and Landscapes]]></category>
		<category><![CDATA[Albrecht Adam]]></category>
		<category><![CDATA[equestrian art]]></category>
		<category><![CDATA[German art]]></category>
		<category><![CDATA[hunting paintings]]></category>
		<category><![CDATA[landscape painting]]></category>
		<category><![CDATA[Schloss Schorssow]]></category>
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					<description><![CDATA[Albrecht Adam&#8217;s The Return from the Hunt, painted in 1828 in oil on canvas, measures 69 × 101 cm and is now in a private collection. At first sight the subject belongs to the familiar world of nineteenth-century sporting painting: mounted hunters, a restless gathering of hounds, horses moving at an easy pace after the exertion of the chase. Yet Adam places this activity within a landscape whose specificity changes the character of the picture. The country house across the [&#8230;]]]></description>
		
		
		
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		<title>Albrecht Adam: Battle of Moscow on 7 September 1812</title>
		<link>https://www.elpedia.gr/battle-of-moscow-on-7-september-1812/</link>
		
		<dc:creator><![CDATA[T. M. Pafilis]]></dc:creator>
		<pubDate>Tue, 18 Aug 2026 07:30:47 +0000</pubDate>
				<category><![CDATA[Figurative Art]]></category>
		<category><![CDATA[Nature and Landscapes]]></category>
		<category><![CDATA[Albrecht Adam]]></category>
		<category><![CDATA[Battle of Borodino]]></category>
		<category><![CDATA[military painting]]></category>
		<category><![CDATA[Napoleonic Wars painting]]></category>
		<category><![CDATA[nineteenth-century German art]]></category>
		<category><![CDATA[Russian campaign of 1812]]></category>
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					<description><![CDATA[Albrecht Adam&#8217;s Battle of Moscow on 7 September 1812, painted between 1815 and 1825, is a remarkably small work for the scale of the event it represents. Executed in oil and gouache on paper and measuring only 21 × 30 cm, it belongs to the collection of the Hermitage in St Petersburg. The subject is the Battle of Borodino, called the Battle of the Moskova in French accounts, fought between Napoleon&#8217;s Grande Armée and the Imperial Russian Army on 7 [&#8230;]]]></description>
		
		
		
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		<title>Niccolò dell&#8217;Abbate: Moses Rescued from the Nile</title>
		<link>https://www.elpedia.gr/moses-rescued-from-the-nile-dellabbate/</link>
		
		<dc:creator><![CDATA[T. M. Pafilis]]></dc:creator>
		<pubDate>Mon, 17 Aug 2026 05:48:03 +0000</pubDate>
				<category><![CDATA[Figurative Art]]></category>
		<category><![CDATA[Nature and Landscapes]]></category>
		<category><![CDATA[The Nude]]></category>
		<category><![CDATA[Biblical Painting]]></category>
		<category><![CDATA[Louvre Paintings]]></category>
		<category><![CDATA[Mannerism]]></category>
		<category><![CDATA[Moses in Art]]></category>
		<category><![CDATA[Niccolò dell'Abbate]]></category>
		<category><![CDATA[Renaissance Art]]></category>
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					<description><![CDATA[Niccolò dell&#8217;Abbate’s Moses Rescued from the Nile, usually dated around 1560, transforms the biblical discovery of the infant Moses into a sophisticated courtly narrative, populated by elongated female figures and set before an unexpectedly expansive European landscape. Executed in oil on canvas and measuring approximately 82.5 by 83 centimetres, the painting belongs today to the Département des Peintures of the Musée du Louvre, where it is catalogued as RF 3937. The Louvre assigns the work more broadly to the third [&#8230;]]]></description>
		
		
		
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		<title>Giuseppe Abbati: Landscape at Castiglioncello</title>
		<link>https://www.elpedia.gr/giuseppe-abbati-landscape-at-castiglioncello/</link>
		
		<dc:creator><![CDATA[T. M. Pafilis]]></dc:creator>
		<pubDate>Sat, 15 Aug 2026 01:17:10 +0000</pubDate>
				<category><![CDATA[Nature and Landscapes]]></category>
		<category><![CDATA[19th-century Italian art]]></category>
		<category><![CDATA[Castiglioncello]]></category>
		<category><![CDATA[Giuseppe Abbati]]></category>
		<category><![CDATA[Italian landscape painting]]></category>
		<category><![CDATA[Macchiaioli]]></category>
		<category><![CDATA[Tuscan landscape]]></category>
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					<description><![CDATA[Giuseppe Abbati painted Landscape at Castiglioncello in 1863, transforming a modest stretch of Tuscan countryside into a remarkably concentrated study of light, colour and spatial rhythm. Executed in oil on panel and measuring only 10 × 30 cm, the painting belongs to the collection of the Galleria dell&#8217;Arte Moderna at Palazzo Pitti in Florence. The unusually elongated support immediately conditions the image: land unfolds laterally, trees punctuate the middle distance, a pale sky presses gently across the upper edge. Across [&#8230;]]]></description>
		
		
		
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		<title>Giuseppe Abbati: Country Road with Cypresses</title>
		<link>https://www.elpedia.gr/giuseppe-abbati-country-road-with-cypresses/</link>
		
		<dc:creator><![CDATA[T. M. Pafilis]]></dc:creator>
		<pubDate>Mon, 10 Aug 2026 09:41:31 +0000</pubDate>
				<category><![CDATA[Nature and Landscapes]]></category>
		<category><![CDATA[19th-century Italian art]]></category>
		<category><![CDATA[Country Road with Cypresses]]></category>
		<category><![CDATA[Giuseppe Abbati]]></category>
		<category><![CDATA[Italian landscape painting]]></category>
		<category><![CDATA[Macchiaioli]]></category>
		<category><![CDATA[Palazzo Pitti]]></category>
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					<description><![CDATA[Λεπτομέρεια από τα συμπαγή, σκούρα κυπαρίσσια στον πίνακα "Οδός με Κυπαρίσσια" του Abbati.]]></description>
		
		
		
			</item>
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		<title>Niccolò dell&#8217;Abate: Meeting of Charles V and the Bey of Tunis</title>
		<link>https://www.elpedia.gr/abate-meeting-of-charles-v-and-the-bey-of-tunis/</link>
		
		<dc:creator><![CDATA[T. M. Pafilis]]></dc:creator>
		<pubDate>Wed, 22 Jul 2026 08:40:24 +0000</pubDate>
				<category><![CDATA[Nature and Landscapes]]></category>
		<category><![CDATA[Charles V]]></category>
		<category><![CDATA[Courtauld Gallery]]></category>
		<category><![CDATA[Italian Mannerism]]></category>
		<category><![CDATA[Niccolò dell'Abate]]></category>
		<category><![CDATA[Renaissance painting]]></category>
		<category><![CDATA[Tunis 1535]]></category>
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					<description><![CDATA[Niccolò dell&#8217;Abate&#8217;s Meeting of Charles V and the Bey of Tunis, painted around 1545–50, transforms an episode of sixteenth-century Mediterranean politics into a densely populated encampment. Executed in oil on canvas and measuring 176 × 211 cm, the painting is now in The Courtauld, London. Tents, soldiers, mounted figures, servants, fortified buildings and ships occupy nearly every part of the surface, while the historical protagonists named in the title are absorbed into a much broader image of ceremony and military [&#8230;]]]></description>
		
		
		
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