• ARTS
    ARTS
    A Visual Exploration Of The Philanthropinons Monastery Arch And Its Symbols.

    The Murals of the Philanthropen Monastery and the Artistic Silence of the Archway

    An Artistic Perspective On The Deceased Of The Philanthropen Monastery.

    The Deceased Philanthropists

    An Exploration Of The Feast Of The Nativity Of The Theotokos In Selenicasi And Its Art.

    The Representation of the Entrance of the Theotokos by Davide Selenicasi

    • ANCIENT GREEK ART
    • BYZANTINE, SLAVIC & EASTERN ARTS
    • CULTURE & ARTS IN EUROPE
  • GREEK MYTHOLOGY
    GREEK MYTHOLOGY
    The Tragic Tale Of Icarus Who Dared To Fly Towards The Sun

    The Myth of Icarus: A Symbol of Ambition and Fall in Ancient Greek Mythology

    Ancient Depiction Of The Griffin, The Mythical Creature With A Lion'S Body, Wings, And An Eagle'S Head.

    Griffins: The Winged Guardians of Gold in Greek Mythology

    The Violent Castration Of Uranus By His Son Cronus And Its Consequences.

    The Castration of Heaven: The Act that Birthed Gods and Monsters

    • GODS & DEITIES
    • HEROES & HEROINES
    • CREATION & COSMOGONY
  • CHURCH
    CHURCH
    Rotunda Of Thessaloniki - A City Symbol With Enigmatic Mosaics

    Rotunda of Thessaloniki: The Mystery of the Mosaics

    Portable Image Of The 20Th Century Depicting Saint Gideon The New Martyr At The Karakallou Monastery.

    Saint Gideon the Karakallinos: The New Martyr from Kapourna (1766-1818)

    Τοιχογραφία Που Απεικονίζει Τον Όσιο Φιλόθεο Τον Κτήτορα, Από Τη Μονή Φιλοθέου.

    Saint Philotheos (late 10th century): The Founder of the Holy Monastery of Philotheou on Mount Athos

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ARTS

Study Of The Jesse Tree By Emmanuel Tzanes From 1644
BYZANTINE, SLAVIC & EASTERN ARTS

The Tree of Jesse by Emmanouil Tzanes

Study of the Jesse Tree by Emmanuel Tzanes from 1644
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Minoan Art Is A Unique Chapter In Human Civilization, Characterized By Remarkable Vitality And Naturalism.
ANCIENT GREEK ART

Minoan Art: Aesthetic Expression of the Aegean

Minoan art is a unique chapter in human civilization, characterized by remarkable vitality and naturalism.
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The Rare 7Th Century Prayer In Naxos - Unique Iconoclastic Monument
BYZANTINE, SLAVIC & EASTERN ARTS

The Prayer of the 7th Century at the Panagia Drosiani in Naxos

The Rare 7th Century Prayer in Naxos - Unique Iconoclastic Monument
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Archangel Of The 7Th Century In Drosiani: Rare Byzantine Iconography
BYZANTINE, SLAVIC & EASTERN ARTS

Archangel of the 7th Century at Panagia Drosiani, Naxos

Archangel of the 7th Century in Drosiani: Rare Byzantine Iconography
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The Birth Of The Virgin In 16Th Century Byzantine Iconography
BYZANTINE, SLAVIC & EASTERN ARTS

The Birth of the Virgin – Greek Institute of Venice (16th Century)

The Birth of the Virgin in 16th Century Byzantine Iconography
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19Th Century Russian Byzantine Icon Of The Nativity Of Mary In Red
BYZANTINE, SLAVIC & EASTERN ARTS

The Birth of the Virgin Mary in Byzantine Iconography

19th Century Russian Byzantine Icon of the Nativity of Mary in Red
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Golden Atmosphere Of A Byzantine Icon Reflecting The Uncreated Glory Of The Resurrection.
BYZANTINE, SLAVIC & EASTERN ARTS

Byzantine Iconography of the Resurrection in the 18th Century: Theological Significance and Spiritual Dimension

Golden atmosphere of a Byzantine icon reflecting the uncreated glory of the Resurrection.
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A 16Th-Century Painting Depicting The City Of Constantinople And Its Waterway.
BYZANTINE, SLAVIC & EASTERN ARTS

Byzantine Art: A Bridge Between Antiquity and the Middle Ages

Byzantine art flourished for over 1,000 years, centered in Constantinople and focused on the Christian Orthodox Church. It is marked by religious icons, monumental churches, and a sense of timelessness. Definitions and key characteristics of Byzantine art Byzantine art thrived within the context of the Byzantine Empire, with Constantinople serving as its capital from 330 AD until the fall in 1453. It spans a period of more than a millennium and is characterized by a sense of continuity and timelessness.
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Medieval Byzantine Sanctuary Screen Showcasing Three Saints Within Architectural Framework Of Arches
BYZANTINE, SLAVIC & EASTERN ARTS

Byzantine Sanctuary Screen: The Deesis Composition in Medieval Church Architecture

Within the profound philosophical framework of Byzantine theological thought emerges a fundamental challenge that transcends mere aesthetic expression: how might...
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A Close-Up On The Serene Face And Torso Of Christ In The 16Th-Century Cretan Icon.
BYZANTINE, SLAVIC & EASTERN ARTS

The Cretan ‘Noli me tangere’: A 16th-Century Analysis

The art of Crete, particularly during the 16th century, constitutes a field of perpetual, almost agonising, osmosis; a place where...
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An Art Historical Analysis Of The 10Th-Century Byzantine Icon Of The Washing Of The Feet (Niptir) From St. Catherine'S Monastery, Sinai. Explore Its Style And Meaning.
BYZANTINE, SLAVIC & EASTERN ARTS

The Sinai Icon of the Niptir: A 10th-Century Testimony

Before a work of such density, almost square, with dimensions of 25.6 x 25.9 centimetres, guarded like the apple of...
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Detail: Christ Grasps Adam; Eve Kneels. A Study In Divine Intervention From The Venice Icon.
BYZANTINE, SLAVIC & EASTERN ARTS

The Icon’s Gaze: A Sixteenth-Century “Harrowing of Hell” and Its Venetian Dislocation

To come upon an icon, especially one wrenched from its original devotional context and nestled within the cultivated silence of...
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Recent Posts

  • The Murals of the Philanthropen Monastery and the Artistic Silence of the Archway
  • The Deceased Philanthropists
  • The Representation of the Entrance of the Theotokos by Davide Selenicasi
  • The Entry of the Theotokos into the Temple in the Calendar of Basil II: A Study of Light and Architecture
  • The Entry of the Theotokos in the 14th Century: An Artistic Testimony from the Northern School

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A Visual Exploration Of The Philanthropinons Monastery Arch And Its Symbols.

The Murals of the Philanthropen Monastery and the Artistic Silence of the Archway

An Artistic Perspective On The Deceased Of The Philanthropen Monastery.

The Deceased Philanthropists

An Exploration Of The Feast Of The Nativity Of The Theotokos In Selenicasi And Its Art.

The Representation of the Entrance of the Theotokos by Davide Selenicasi

The Miniature Of The Entries In The Calendar Of Basil Ii As Light.

The Entry of the Theotokos into the Temple in the Calendar of Basil II: A Study of Light and Architecture

Detail Featuring The Parents Joachim And Anna In The Image Of The Entrance Of The Theotokos, 14Th Century.

The Entry of the Theotokos in the 14th Century: An Artistic Testimony from the Northern School

The Face Of The Man With The Side Glance In Niccolò Dell'Abbate'S Painting

Niccolò dell’ Abbate: The Man and His Parrot

The Face And Melancholic Gaze Of The Man In Niccolo Dell Abbate'S Painting

Niccolò dell’ Abbate: A Nobleman with a Falcon

Close-Up Of The Woman'S Face Reading The Prayer Book In Abbati'S Painting.

Giuseppe Abbati, “The Prayer” (Oration)

&Quot;Portrait Of A Woman&Quot; (1865-66) By Italian Painter Giuseppe Abbati

Giuseppe Abbati: Woman’s Portrait

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