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    The Face Of The Man With The Side Glance In Niccolò Dell'Abbate'S Painting

    Niccolò dell’ Abbate: The Man and His Parrot

    The Face And Melancholic Gaze Of The Man In Niccolo Dell Abbate'S Painting

    Niccolò dell’ Abbate: A Nobleman with a Falcon

    Close-Up Of The Woman'S Face Reading The Prayer Book In Abbati'S Painting.

    Giuseppe Abbati, “The Prayer” (Oration)

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    GREEK MYTHOLOGY
    The Tragic Tale Of Icarus Who Dared To Fly Towards The Sun

    The Myth of Icarus: A Symbol of Ambition and Fall in Ancient Greek Mythology

    Ancient Depiction Of The Griffin, The Mythical Creature With A Lion'S Body, Wings, And An Eagle'S Head.

    Griffins: The Winged Guardians of Gold in Greek Mythology

    The Violent Castration Of Uranus By His Son Cronus And Its Consequences.

    The Castration of Heaven: The Act that Birthed Gods and Monsters

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    CHURCH
    Rotunda Of Thessaloniki - A City Symbol With Enigmatic Mosaics

    Rotunda of Thessaloniki: The Mystery of the Mosaics

    Portable Image Of The 20Th Century Depicting Saint Gideon The New Martyr At The Karakallou Monastery.

    Saint Gideon the Karakallinos: The New Martyr from Kapourna (1766-1818)

    Τοιχογραφία Που Απεικονίζει Τον Όσιο Φιλόθεο Τον Κτήτορα, Από Τη Μονή Φιλοθέου.

    Saint Philotheos (late 10th century): The Founder of the Holy Monastery of Philotheou on Mount Athos

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Ця Пофарбована В Чорний Колір Амфора Є Скарбницею Давньогрецького Мистецтва. Вона Демонструє Вічний Шарм Класичного Мистецтва.
ANCIENT GREEK ART

Achilles and Penthesilea: Masterpiece of Exekias

The black-figure amphora depicting Achilles and Penthesilea by Exekias is one of the most important examples of Archaic vase painting. This exceptional work, dating approximately to 540-530 BC, is currently housed in the British Museum in London. It is an amphora with a height of 41 centimeters, depicting the dramatic moment of the duel between Achilles and the queen of the Amazons, Penthesilea. The technical perfection and detailed rendering of the figures demonstrate the exceptional craftsmanship of Exekias, one of [...]
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Discover The Rare Fresco Of The Angel Of The Second Coming In The Metropolis Of Mystras.
BYZANTINE, SLAVIC & EASTERN ARTS

Angel of the Second Coming, Mystras

Discover the rare fresco of the Angel of the Second Coming in the Metropolis of Mystras.
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Sacred Byzantine Diptych Displaying The Archangel And Saint George, Preserved At Mount Athos Monastery
BYZANTINE, SLAVIC & EASTERN ARTS

Archangel and Saint George: Byzantine Icon (17th century)

The Archangel and Saint George are the central theme of an exceptional 17th-century Byzantine diptych kept at the Holy Monastery of Saint Paul on Mount Athos. The work, crafted with egg tempera and gold leaf on wood, represents the pinnacle of Byzantine iconographic art. The vertical composition is divided into two distinct levels: the upper section is dominated by the figure of the Archangel with imposing wings, while the lower part depicts Saint George in military attire. The technique combines traditional Byzantine [...]
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Archangel Of The 7Th Century In Drosiani: Rare Byzantine Iconography
BYZANTINE, SLAVIC & EASTERN ARTS

Archangel of the 7th Century at Panagia Drosiani, Naxos

Archangel of the 7th Century in Drosiani: Rare Byzantine Iconography
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Analysis Of The Miniature From The Armenian Hymnbook Of 1591.
BYZANTINE, SLAVIC & EASTERN ARTS

Armenian Hymnbook 1591: The “Annunciation to Anna”

Analysis of the Miniature from the Armenian Hymnbook of 1591.
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A 16Th-Century Painting Depicting The City Of Constantinople And Its Waterway.
BYZANTINE, SLAVIC & EASTERN ARTS

Byzantine Art: A Bridge Between Antiquity and the Middle Ages

Byzantine art flourished for over 1,000 years, centered in Constantinople and focused on the Christian Orthodox Church. It is marked by religious icons, monumental churches, and a sense of timelessness. Definitions and key characteristics of Byzantine art Byzantine art thrived within the context of the Byzantine Empire, with Constantinople serving as its capital from 330 AD until the fall in 1453. It spans a period of more than a millennium and is characterized by a sense of continuity and timelessness.
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Golden Atmosphere Of A Byzantine Icon Reflecting The Uncreated Glory Of The Resurrection.
BYZANTINE, SLAVIC & EASTERN ARTS

Byzantine Iconography of the Resurrection in the 18th Century: Theological Significance and Spiritual Dimension

Golden atmosphere of a Byzantine icon reflecting the uncreated glory of the Resurrection.
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Medieval Byzantine Sanctuary Screen Showcasing Three Saints Within Architectural Framework Of Arches
BYZANTINE, SLAVIC & EASTERN ARTS

Byzantine Sanctuary Screen: The Deesis Composition in Medieval Church Architecture

Within the profound philosophical framework of Byzantine theological thought emerges a fundamental challenge that transcends mere aesthetic expression: how might...
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Abaquesne'S Ceramic Masterpiece With Biblical Themes In The Renaissance
CULTURE & ARTS IN EUROPE

Ceramic Composition of the Deluge by Masséot Abaquesne

Abaquesne's Ceramic Masterpiece with Biblical Themes in the Renaissance
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Close-Up Of Christ Pulling Adam From The Tomb, A Detail From The Chora Church Anastasis Fresco.
BYZANTINE, SLAVIC & EASTERN ARTS

Chora’s Radiant Anastasis: A Byzantine Masterpiece Unveiled

The Anastasis. Christ’s triumphant descent into Hades. An extraordinary fresco—Anastasis, or Resurrection—has a profound power, a theological and artistic statement...
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The Mural &Quot;Christ Praising The Widow'S Mite&Quot; At The Monastery Of Chilandar Is An Exceptional Example Of Palaiologan Art.
BYZANTINE, SLAVIC & EASTERN ARTS

Christ Praising the Widow’s Mites: Fresco of the Monastery of Chilandar

The mural "Christ Praising the Widow's Mite" at the Monastery of Chilandar is an exceptional example of Palaiologan art.
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Mural Where Christ Rebukes The Wind And The Sea At The Monastery Of Philanthropenon (16Th Century).
BYZANTINE, SLAVIC & EASTERN ARTS

Christ Rebukes the Wind and the Sea: Analysis of a Fresco in the Monastery of Philanthropenon

Mural where Christ rebukes the wind and the sea at the Monastery of Philanthropenon (16th century).
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  • Niccolò dell’ Abbate: The Man and His Parrot
  • Niccolò dell’ Abbate: A Nobleman with a Falcon
  • Giuseppe Abbati, “The Prayer” (Oration)
  • Giuseppe Abbati: Woman’s Portrait
  • Giuseppe Abbati: The Courtyard of Santa Croce

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The Face Of The Man With The Side Glance In Niccolò Dell'Abbate'S Painting

Niccolò dell’ Abbate: The Man and His Parrot

The Face And Melancholic Gaze Of The Man In Niccolo Dell Abbate'S Painting

Niccolò dell’ Abbate: A Nobleman with a Falcon

Close-Up Of The Woman'S Face Reading The Prayer Book In Abbati'S Painting.

Giuseppe Abbati, “The Prayer” (Oration)

&Quot;Portrait Of A Woman&Quot; (1865-66) By Italian Painter Giuseppe Abbati

Giuseppe Abbati: Woman’s Portrait

Detail: The Solitary Figure In The Blue Cap In The Shadows, A Work By Giuseppe Abbati

Giuseppe Abbati: The Courtyard of Santa Croce

Detail From The Solid, Dark Cypress Trees In The Painting &Quot;Cypress Avenue&Quot; By Abbati.

Giuseppe Abbati: Country Road Lined with Cypresses

The Portrait Of Napoleon (1805) By Appiani As King Of Italy.

Napoleon Bonaparte, King of Italy: Portrait by Andrea Appiani

Η Μορφή Της Μικρής Παναγίας Με Ώριμο Και Σοβαρό Βλέμμα, Μπροστά Στον Ζαχαρία

The Entry of the Theotokos into the Temple: Frescoes at Studenica Monastery

The Impact Of Eastern Influence On Ancient Oil Vessels Transformed Greek Pottery By Introducing Realistic And Symbolic Patterns.

Decorative Oil and Wine Vessels in Ancient Greece

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