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    A Visual Exploration Of The Philanthropinons Monastery Arch And Its Symbols.

    The Murals of the Philanthropen Monastery and the Artistic Silence of the Archway

    An Artistic Perspective On The Deceased Of The Philanthropen Monastery.

    The Deceased Philanthropists

    An Exploration Of The Feast Of The Nativity Of The Theotokos In Selenicasi And Its Art.

    The Representation of the Entrance of the Theotokos by Davide Selenicasi

    • ANCIENT GREEK ART
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    GREEK MYTHOLOGY
    The Tragic Tale Of Icarus Who Dared To Fly Towards The Sun

    The Myth of Icarus: A Symbol of Ambition and Fall in Ancient Greek Mythology

    Ancient Depiction Of The Griffin, The Mythical Creature With A Lion'S Body, Wings, And An Eagle'S Head.

    Griffins: The Winged Guardians of Gold in Greek Mythology

    The Violent Castration Of Uranus By His Son Cronus And Its Consequences.

    The Castration of Heaven: The Act that Birthed Gods and Monsters

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    CHURCH
    Rotunda Of Thessaloniki - A City Symbol With Enigmatic Mosaics

    Rotunda of Thessaloniki: The Mystery of the Mosaics

    Portable Image Of The 20Th Century Depicting Saint Gideon The New Martyr At The Karakallou Monastery.

    Saint Gideon the Karakallinos: The New Martyr from Kapourna (1766-1818)

    Τοιχογραφία Που Απεικονίζει Τον Όσιο Φιλόθεο Τον Κτήτορα, Από Τη Μονή Φιλοθέου.

    Saint Philotheos (late 10th century): The Founder of the Holy Monastery of Philotheou on Mount Athos

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ARTS

Die Christus Pantokrator-Ikone Im Museum Für Russische Ikonen In Clinton: Ein Meisterwerk Orthodoxer Ikonographie, Das Духовность Und Theologische Tiefe Vereint.
BYZANTINE, SLAVIC & EASTERN ARTS

The Icon of Christ Pantocrator in Clinton (1580)

Title: Christ Pantocrator in Clinton (1580) Artist Name: Unknown Russian Iconographer Genre: Orthodox Christian Icon Date: c. 1580 AD Dimensions: 71 x 54 cm Materials: Egg tempera and gold leaf on wooden panel Location: Museum of Russian Icons, Clinton, Massachusetts, USA Christ Pantocrator, as the dominant theme of Orthodox iconography, is depicted with exceptional mastery in this 16th-century Russian icon. The work is an exquisite example of the long-standing tradition of Russian iconography, where theological significance is harmoniously intertwined [...]
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Sacred Byzantine Diptych Displaying The Archangel And Saint George, Preserved At Mount Athos Monastery
BYZANTINE, SLAVIC & EASTERN ARTS

Archangel and Saint George: Byzantine Icon (17th century)

The Archangel and Saint George are the central theme of an exceptional 17th-century Byzantine diptych kept at the Holy Monastery of Saint Paul on Mount Athos. The work, crafted with egg tempera and gold leaf on wood, represents the pinnacle of Byzantine iconographic art. The vertical composition is divided into two distinct levels: the upper section is dominated by the figure of the Archangel with imposing wings, while the lower part depicts Saint George in military attire. The technique combines traditional Byzantine [...]
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The Icon Of The Presentation Of The Virgin Mary In Solvychegodsk Depicts The Little Mary Ascending The Steps
BYZANTINE, SLAVIC & EASTERN ARTS

The Icon of the Entrance of the Theotokos in Solvychegodsk (1580-90)

The Entrance of the Theotokos in Solvychegodsk is one of the most significant works of Russian iconographic art of the 16th century. The icon, dated around 1580-90, captures with exceptional mastery the biblical episode of the three-year-old Virgin Mary's entrance into the Temple. The scene takes place in an architectural setting that combines Byzantine and Russian elements, with the golden background creating a transcendent atmosphere. The figures are rendered with delicacy and precision, while the intense reds and golds dominate the composition creating [...]
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Medieval Icon Depicting Christ'S Ascension Surrounded By Angels In An Elliptical Glory, With Virgin Mary And Apostles Below At Mount Sinai Monastery
BYZANTINE, SLAVIC & EASTERN ARTS

The Ascension Icon of Sinai: A 9th Century Masterpiece (1200)

Artist: Unknown Artist Date: 9th-10th century Dimensions: 41,8 x 27,1 cm. Materials: Egg tempera on wood Location: Sinai Monastery  ...
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Saint Nicholas Icon In Hilandar Displays Intricate Details Of 14Th-Century Byzantine Artistic Techniques
BYZANTINE, SLAVIC & EASTERN ARTS

The Saint Nicholas Icon of Hilandar (14th century)

Title: Ancient Icon of Saint Nicholas in Hilandar (c. 1320) Genre: Byzantine Icon Artist Name: Unknown Master Genre: Religious Orthodox...
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Crucifixion At Sinai Monastery Showing Christ On Cross With Mary And John Beneath Against Dark Background
BYZANTINE, SLAVIC & EASTERN ARTS

The Crucifixion at Sinai Monastery (8th century)

Title: The Iconic Crucifixion at Sinai Monastery: A Masterpiece Artist Name: Unknown Master Genre: Religious Icon Date: 8th century CE...
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12Th-Century Virgin Of Vladimir Icon Showing Tender Embrace Between Virgin Mary And Christ Child Against Gold Background
BYZANTINE, SLAVIC & EASTERN ARTS

The Vladimir Icon: Byzantine Masterpiece of Divine Motherhood

The Virgin of Vladimir icon’s intimate portrayal of mother and child created a new standard for Orthodox iconography Title: Our...
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Depiction Of Elements From Early Christian Art In A 4Th Century Fresco.
BYZANTINE, SLAVIC & EASTERN ARTS

Early Christian Art: The Birth of a New Aesthetic

Early Christian Art was born out of the fusion of pagan and Christian symbols and themes. The Emperor Constantine played...
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Saint Peter Encaustic Icon Showing Full Composition With Architectural Background And Sacred Medallions
BYZANTINE, SLAVIC & EASTERN ARTS

Saint Peter Encaustic Icon: Masterwork from Late Antiquity (6th-7th century CE)

The Saint Peter encaustic icon stands as an extraordinary exemplar of early Byzantine sacred art, demonstrating remarkable technical sophistication and...
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Panagia Angeloktisti Mosaic Showing Detailed Byzantine Craftsmanship In Gold And Vibrant Colors
BYZANTINE, SLAVIC & EASTERN ARTS

The Angeloktisti Holy Mary Mosaic in Cyprus’s Byzantine Legacy (6th-7th c. AD)

The Panagia Angeloktisti mosaic represents one of the finest surviving examples of early Byzantine art from the 6th-7th century AD....
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In The Realm Of Post-Byzantine Sacred Art, The Burial Icon By Theophanes Represents An Extraordinary Confluence Of Artistic Traditions And Spiritual Depth. The Historical Backdrop Against Which This Masterpiece Emerged Was Characterized By Profound Cultural Exchanges Between Cretan Artists And The Monastic Traditions Of Mount Athos. As David Whitley And Kelley Hays-Gilpin Observe, Religious Iconography Of This Period Transcended Mere Artistic Expression, Embodying Complex Theological Narratives And Spiritual Symbolism That Resonated Deeply With Orthodox Christian Tradition.
BYZANTINE, SLAVIC & EASTERN ARTS

The Burial Icon by Theophanes: A Byzantine Masterpiece

Title: Christ’s Burial (1546) Artist Name: Theophanes the Cretan Genre: Byzantine Religious Art / Post-Byzantine Icon Date: 1546 CE Materials:...
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Saint Andrew At Constantinople Portrayed In Traditional Byzantine Style With Striking Spiritual Presence
BYZANTINE, SLAVIC & EASTERN ARTS

Saint Andrew Icon: A Byzantine Imperial Legacy

Genre: Religious Byzantine Iconography Date: 13th century Materials Materials: Egg tempera and gold leaf on wood panel Location Location: Constantinople...
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  • The Murals of the Philanthropen Monastery and the Artistic Silence of the Archway
  • The Deceased Philanthropists
  • The Representation of the Entrance of the Theotokos by Davide Selenicasi
  • The Entry of the Theotokos into the Temple in the Calendar of Basil II: A Study of Light and Architecture
  • The Entry of the Theotokos in the 14th Century: An Artistic Testimony from the Northern School

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A Visual Exploration Of The Philanthropinons Monastery Arch And Its Symbols.

The Murals of the Philanthropen Monastery and the Artistic Silence of the Archway

An Artistic Perspective On The Deceased Of The Philanthropen Monastery.

The Deceased Philanthropists

An Exploration Of The Feast Of The Nativity Of The Theotokos In Selenicasi And Its Art.

The Representation of the Entrance of the Theotokos by Davide Selenicasi

The Miniature Of The Entries In The Calendar Of Basil Ii As Light.

The Entry of the Theotokos into the Temple in the Calendar of Basil II: A Study of Light and Architecture

Detail Featuring The Parents Joachim And Anna In The Image Of The Entrance Of The Theotokos, 14Th Century.

The Entry of the Theotokos in the 14th Century: An Artistic Testimony from the Northern School

The Face Of The Man With The Side Glance In Niccolò Dell'Abbate'S Painting

Niccolò dell’ Abbate: The Man and His Parrot

The Face And Melancholic Gaze Of The Man In Niccolo Dell Abbate'S Painting

Niccolò dell’ Abbate: A Nobleman with a Falcon

Close-Up Of The Woman'S Face Reading The Prayer Book In Abbati'S Painting.

Giuseppe Abbati, “The Prayer” (Oration)

&Quot;Portrait Of A Woman&Quot; (1865-66) By Italian Painter Giuseppe Abbati

Giuseppe Abbati: Woman’s Portrait

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