The Christ Pantokrator icon painted by Konstantinos the Hieromonk in 1694 is dominated by gold. It covers the background, spreads...
A portable panel measuring 92 × 52 × 3 centimetres preserves a seventeenth-century representation of Christ the Great High Priest,...
The Annunciation sanctuary door from the cave church of the Virgin at Blashtojne, near Lake Prespa, is a fifteenth-century work...
The Saint Macarius of Kalyazin icon, dating from the seventeenth century and associated with the Church of Saints Peter and...
Within the trapeza of Koutloumousiou Monastery on Mount Athos, Saint Philotheos of Karyes is represented in a contemporary wall painting...
The Drosiani Deesis, painted in the northern conch of the Panagia Drosiani on Naxos and generally assigned to the seventh...
The Last Supper on the Iviron epistyle, as the eye travels along the same carved and gilded beam, gives way...
A single mantle of deep red interrupts an otherwise consistent field of blue-green drapery, and it is around that interruption...
Attributed to Theophanes Strelitzas-Bathas, better known as Theophanes the Cretan, and dated to 1535–1545, The Washing of the Feet belongs...
Η τοιχογραφία της Παναγίας Νικοποιού (7ος αι.) στη βόρεια κόγχη του ναού της Δροσιανής, Νάξος.
The surviving section of a twelfth-century Byzantine templon epistyle, now in the State Hermitage Museum in St Petersburg, preserves three...
The Hieromartyr Benedictos Konstamonitou is represented frontally, his body aligned almost exactly with the vertical axis of the composition and...