Against the deep blue ground of the kyriakon at Nea Skete on Mount Athos, the eighteenth-century Saint Maximos Kausokalybites wall...
In the southern aisle of the Protaton catholicon, in Karyes on Mount Athos, an elderly figure with a white beard...
Within the Church of Saint Paraskevi at Anavra, the mountain settlement historically known as Goura in the Almyros region, the...
In 1620, the painter Georgios Moschos created one of the rarest compositions in Post-Byzantine painting within the katholikon of Chrysafa...
Η σπάνια Δέηση του 7ου αιώνα στη Νάξο - μοναδικό προεικονομαχικό μνημείο
Deep-set eyes, unmoving and fixed on whoever stands before him, look out from beneath a forehead scored by decades of...
The Christ Pantokrator Chrysafa occupies the summit of the dome in the katholikon of the Monastery of the Forty Martyrs...
Saint George, the Post-Byzantine wall painting from Panagia Pelekiti Monastery, presents the military martyr as a full-length, frontal figure, standing...
A fresco of the Descent into Hades, crafted by an unknown artist of the Palaiologan Renaissance, adorns the funerary chapel...
A crowded table, not a dancing girl, occupies the center of this Palaiologan fresco, and the choice says something about...
The Apostle Paul fresco at Mystras, dating from the opening decades of the fourteenth century, survives as a striking fragment...
Contemporaries called him Kafsokalyvites because, whenever a shelter began to feel like a possession, he set fire to it and...