Measuring only about 46.4 × 25.5 cm, the Sinai Crucifixion Icon preserves one of the most consequential early formulations of...
Panel Paintings and Icons
Among the monumental panel icons of Late Byzantine Thessaloniki, the Christ the Wisdom of God icon occupies an unusual position....
Emmanuel Tzanes painted The Tree of Jesse in 1644, creating a large Post-Byzantine panel icon in tempera on wood, approximately...
El Greco’s Dormition of the Virgin, generally dated shortly before 1567 and often placed around 1565–1566, belongs to the small...
Signed by Emmanuel Lambardos and dated 1603, the Noli me Tangere now preserved in the Museum of Icons of the...
Η Ένθρονη Βρεφοκρατούσα Θεοτόκος "Κυρία των Αγγέλων" της Κέρκυρας αποτελεί εξαιρετικό δείγμα της μεταβυζαντινής τέχνης των αρχών του 16ου αιώνα.
A small panel measuring barely fifty-seven by thirty-nine centimetres, painted around 1546 by the Cretan master Theophanes Strelitzas, preserves one...
The 18th-century Post-Byzantine icon of the Nativity stands as a visual testament to the aesthetic and social shifts of its...
Against a field of gold leaf, worn by centuries of fine craquelure and scattered losses, the crucified body of Christ...
A wooden icon panel measuring seventy-one by fifty-four centimeters, crafted around 1580 by an anonymous Russian iconographer, is preserved today...
The Saint Peter Icon at Mount Sinai belongs to the exceptionally small body of panel paintings that preserves the visual...
Ο Άγιος Άρχιππος σε στάση δέησης μπροστά στον ναό, στη βυζαντινή εικόνα «Το Θαύμα εν Χώναις».