Albrecht Adam’s The Return from the Hunt, painted in 1828 in oil on canvas, measures 69 × 101 cm and...
Albrecht Adam’s Battle of Moscow on 7 September 1812, painted between 1815 and 1825, is a remarkably small work for...
Giuseppe Abbati’s The Cloister of Santa Croce (1861–1862) reduces a building site in one of Florence’s most famous religious complexes...
Niccolò dell’Abbate’s Moses Rescued from the Nile, usually dated around 1560, transforms the biblical discovery of the infant Moses into...
Niccolò dell’Abbate’s Portrait of a Gentleman with a Falcon, painted around 1548–50, presents an unidentified northern Italian aristocrat with the...
Masséot Abaquesne’s Ceramic Floor of 1557 belongs to the ambitious decorative projects that brought Renaissance imagery into French ceramic art...
Masséot Abaquesne‘s The Flood, produced in Rouen around 1555 and preserved in the Musée National de la Renaissance at Écouen,...
Nicolai Abildgaard‘s The Midwife Taking Leave of the Girl from Andros, painted in 1801, translates a brief episode from Terence’s...
Juan de la Abadía‘s Saint Michael Weighing Souls, painted in Aragon during the closing decades of the fifteenth century, places...
The Continence of Scipio, painted around 1555 by Niccolò dell’Abate, belongs to the years immediately following the Modenese painter’s move...
Niccolò dell’Abate‘s The Rape of Proserpine, generally dated around 1570, transforms one of the most violent episodes of classical mythology...
Nicolai Abildgaard’s Simo and his Former Slave Sosia, painted in 1803, transforms an episode from Terence’s ancient Roman comedy Andria...